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New York-based design and VFX studio Click 3X recently produced title sequences for two feature films from Academy Award-winning directors, Jonathan Demme’s Rachel Getting Married, and Davis Guggenheim’s It Might Get Loud. Both projects involved heavy stylistic experimentation and hands-on collaboration with the directors to develop sequences that embody and introduce the subject, complement the film openings, and add to the overall storylines. The projects demonstrate the range of scope and design depth of the Click 3X team, who continue to release visual solutions for commercials, films, television, music videos, and integrated media.

Rachel Getting Married, released in late 2008, was shot documentary-style to convey the tension and uncomfortable nature of complex interpersonal relationships, heightened by the abnormal interactions that only a wedding weekend can provide. Both the film and Anne Hathaway’s role have received great critical acclaim. For the project, Click collaborated once again with director Jonathan Demme, expanding on the working relationship first established with Demme’s unconventional feature documentary on Jimmy Carter titled, Man From Plains. In developing the titles, the design team carefully infused Demme’s directorial vision to capture and subtly convey the palpable friction of a flawed family, as well unveiling the raw feelings and conflict that weddings can incite.

Creative Director Steve Tozzi adds, “Using the input from Jonathan and some really elaborate and unique styling, we tried to integrate emotive hints at the plot into every detail of the titling. Each aspect of the opening sequence, from the typography and screen placement, to the range to type sequences and titles and names all echo the mood of the film. Even the placement of text on the screen reiterates the disorganization and awkwardness of the relationships and emotions that stem from the weekend wedding.”

It Might Get Loud is a rousing documentary on the electric guitar told from the point of view of three highly-influential rock musicians: Jimmy Page, The Edge, and Jack White. The titling sequence, a series of slow, sensual beauty shots of a collection of guitars, has a practical look that complements the rich history of the electric guitar. Titles gradually appear near the neck and body of the instruments, until finally revealing the names of the three iconic players, branded on the guitars like logos, each with a look that parallels the guitars they used.

Tozzi explains, “For this project it was really important to develop symbolic typography-something that would really embody each icons’ style, era, and of course, music. For Jimmy Page the look is classic, Gibsonian, while The Edge has an electric, techy feel, and Jack White is about retro simplicity-he really could pick up any guitar and play.”

With this distinct typography, the Click designers help position each guitarists’ legacy as an evocative, widely-recognized brand, complete with millions of loyal fans and a dynamic rock history-all epitomized in lines, angles, colors and shadows of their personal logo. The company worked closely with Director Davis Guggenheim of Inconvenient Truth, using his creative insight and the film’s historical footage, interviews, and theme as inspiration. In addition to the title sequence, Click 3X designed the film poster and developed the look and feel of the materials that launched the film at Toronto Film Fest.

About Click 3X:
New York-based Click 3X produces cutting-edge visual solutions for commercials, feature films, television, music videos and broadcast clients around the globe. Founded in 1993, Click 3X has become the preeminent digital studio led by artists, yet supported by one of the most technologically advanced studios in the industry. With award-winning design, powerful visual effects, and a visionary animation team, Click 3X has worked on such diverse projects as Jonathan Demme’s unconventional feature documentary on Jimmy Carter entitled, Man From Plains; Animal Collective’s Peacebone video directed by Tim Saccenti; and Time Warner’s video instillation, Home Of The Future which was showcased on the Time Warner building in NYC.

Popularity: 35% [?]

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Coraline is a horror fantasy film based on the novella Coraline by Neil Gaiman. The film is the first stop motion animation to be created in 3D and is directed by Henry Selick.

Coraline tells the story of a young girl who encounters a parallel reality of her life when she unlocks and enters a mysterious door in her home. The new world through the door appears to be thrilling and fantastical, however events soon take a dark turn and Corlaine finds herself fighting to return to her real life.

Reportedly a combination of Alice in Wonderland, Harry Potter, Where the Wild Things Are and Pans Labyrinth, Corlaine is set to provide “terror and joy in roughly equal doses”.

This trailer takes a look behind the scenes of Coraline and the characters in the film. Featuring interviews with author Neil Gaiman and director Henry Selick, here you can meet the inhabitants of Coraline’s world.

The Main Cast:
Mr. Bobinkski – Ian McShane
Coraline – Dakota Fanning
John Hodgman – Father/other Father
Teri Hatcher – Mother/other Mother

Additional Voices by:
Keith David
Jennifer Saunders
Dawn French

Credits:
Author: Neil Gaiman
Director: Henry Selick
Executive Producers: Bill Mechanic, Henry Selick, Michael Soumas
Music: Bruno Coulais
Cinematography: Pete Zozachik
Editor: Christopher Murrie

Coraline is due for release in February 2009.

Popularity: 29% [?]

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Partner/Editor Michael Saia of NY-based jumP cuts this magical Disney World campaign helmed by Jim Gartner via mcgarrybowen.

In Anthem we see balloons emblazoned with Mickey Mouse’s face take on a life of their own as they comically trail blissful moments. The balloons carry an invitation, from Mickey himself and Disney to celebrate attendees’ birthdays at the place where dreams come true.

Accomplishment once again features the bulbous Mickey balloons as the spots moves from shining moments-a boy’s first touchdown-to great achievements-a kindergarten class’s graduation.

Classroom takes us back to the days of dreadful boredom in grade school as a young boy slouches over his textbook. While mindlessly flipping the pages he discovers an envelope stamped with a birthday message for him. As he slowly lifts the flap, the boy releases an explosion of fireworks and balloons beckoning an appropriate birthday celebration.

About jumP:
jumP is an award-winning, New York-based creative editorial boutique focusing on commercials, features, short films, music videos, and emerging media content. The firm works with a wide-range of top-tier brands, directors, and agencies continually delivering powerful and efficient results for each of its clients. The company roster includes Partner/Editors: Luis Moreno and Michael Saia, Editors: Lin Polito, William Zitser and David Bryen, Partner/Managing Director: Dee Tagert and Executive Producer Elizabeth Krajewski.

CREDITS:
Client: Disney
Spot Title: Anthem:30/:60, Classroom :30, Accomplishments :30
Air Date: November 2008

Agency: mcgarrybowen
ECD(s): Ned Cowley, Jon Moore
ED of TV Production: Roseanne Horn
EP(s): Chris Arruda, Skip Alloco

Prod Company: Gartner
Director: James Gartner
Producer: Roger Petrusson

Editorial: jumP/NY
Editor: Michael Saia
Asst. Editor: William Zitser, Roberto Serrini
EP: Elizabeth Krajewski

Telecine: Nice Shoes
Colorist: Chris Ryan

Audio Post: Manic
Mix: Stephane Guyot

Post/Effects: The Orphanage-San Francisco
Producer: Lawson Owen

Music: Mathew Gerrard

Popularity: 22% [?]

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‘Up’ is the tenth featured film from the Pixar stable and is set to hit cinemas in May 2009.

Popularity: 32% [?]

In a divided land, it takes a rebellious boy and his clandestine love for a Princess of an opposing race to stop a war orchestrated by a power hungry villian.

From Atlanta-based Fathom Studios comes an epic computer animated fantasty film starring the voices of Freddie Prinze Jr, Jennifer Love Hewitt and Anne Bancroft. Directed by Marc F. Adler and Jason Maurer, Delgo was released on 12 December 2008.

The story tells of the land of Jhamora that is torn apart by the mutual prejudice of two races: the winged Nohrin, masters of the skies, and the terrestrial Lockni, who harness the mystical powers of the land.

When Delgo, a reckless Lockni teenager, forms a forbidden friendship with the spunky Nohrin Princess Kyla, hostilities between the two peoples escalate, setting the stage for an exiled Empress to exact her revenge and reclaim her rule.

Falsely imprisoned, Delgo and his faint-hearted best friend, Filo , must put aside their differences to join forces with a sworn enemy and travel to the mysterious land of Perran, where they discover more than just a scorned Empress and her two bumbling servants.

Delgo is dedicated to the memory of Anne Bancroft, the voice of villain Sedessa, who died in 2005 before production on the film was completed.

About Fathom Studios
Atlanta-based Fathom Studios has been creating award-winning computer animation for more than a decade.Founded as a division of Macquarium Intelligent Communications, Fathom is responsible for a number of memorable advertisements, broadcast spots, and consumer products.

Delgo-ing where no one has gone before. Fathom Studios makes a bid to change the very process of filmmaking. Georgia is a long way from Hollywood, but Atlanta-based Fathom STudios doesn’t care – they plan on revolutionizing the film industry anyway. Chris Wyatt – Cinescape

It’s clear that Delgo has the potential to be a truly groundbreaking movie, proving that independent studios can hold their own. Atlanta’s Fathom Studios is taking on the big boys,producing a CG movie that’ll go up against the best the likes of Pixar and Square can offer. Stuart Dredge – 3d World

Credits:
Directed by: Marc F. Adler, Jason Maurer
Produced by: Marc F. Adler
Written by: Marc F. Adler, Scott Biear, Patrick J. Cowan, Carl Dream, Jennifer A. Jones
Music by: Geoff Zanelli
Cinematography by: Herb Kossover
Distributed by: Freestyle Releasing

Cast of Voices:
Freddie Prinze Jr
Jennifer Love Hewitt
Anne Bancroft
Val Kilmer
Louis Gossett Jr
Eric Idle
Burt Reynolds
Brad Abrell
Mary Matilyn Mouser
David Heyer
Chris Kattan
Malcolm McDowell
Michael Clarke Duncan
Kelly Ripa
Sally Kellerman

Popularity: 25% [?]

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New York-based Conceptual Design, Animation and VFX studio SUSPECT added to its impressive string of work with a spot reintroducing Sierra Mist Cranberry Splash. Led by Co-Founder/Creative Director Tim Crean and Creative Director Hoon Chong, the SUSPECT team created a dynamic animated world to bring the popular soda back as the de facto party drink for this holiday season.

“This Sierra Mist Cranberry Splash spot was an incredible challenge and opportunity for us,” noted Crean. “Renewing interest in a seasonal product is always tricky because consumers haven’t thought about it in awhile. Luckily we were able to collaborate with the expert team at TracyLocke to come up with something creative and memorable.”

The spot begins with a muted party atmosphere animated by a shifting gray silhouette of partygoers calmly mingling behind a carton of eggnog. The muted backdrop and subdued crowd create an ideal contrast to the excitable cranberries that appear in a vivid red armada to push aside and displace the status quo party drink.

A stunning graphical transformation ensues as the eggnog carton falls to the ground and the party morphs into a cranberry-colored world of pumped-up dancers gyrating beneath a shiny disco ball and rising carbonate bubbles. Bottles of Sierra Mist occupy the epicenter of the regenerated party, delivering a clear message: move over eggnog, there’s a new party drink this season.

“Any time you’re working with a brand as widely known as Sierra Mist, you have to get every detail perfect, and our team was able to create an incredible visual universe to perfectly capture the mood of this holiday drink,” noted Chong. “Most impressive, however, is how our studio put a laser focus on this project to turn it around under such a tight deadline.”

SUSPECT created this animated sequence out of nothing more than a print ad, which the agency asked them to transform into a story. The studio has been aggressively recruiting new talent in order to establish themselves as a go-to studio for innovative graphical projects, and they saw the Sierra Mist spot as a terrific challenge to test out their newly assembled team.

“We saw this spot as an opportunity to create a real showcase for what SUSPECT can do,” said Executive Producer Rob Appelblatt. “We’ve spent the last several months adding some incredible new talent to our team, and this recent effort further solidifies that we’re evolving into a truly dynamic company capable of delivering every component of a project.”

The Creds:
Client: PepsiCo.
Spot Title: Sierra Mist Cranberry New Tradition
Airdate: November 2008

Agency: TracyLocke
Creative Director: Sanford Stein
Associate Creative Director(s): Tara White, Frank Izzo
Director of Broadcast Production: Monica Victor
Senior Broadcast Producer: Jean Kelly
Associate Broadcast Producer: Kiri Carch
Group Account Director: Stephen Miller
Account Supervisor: James Ryan
Assistant Account Executive: Sandy Ramos

Design/Production/Post: SUSPECT
Director: SUSPECT
Creative Director(s): Hoon Chong, Tim Crean
VFX Supervisor: Keith McCabe
Executive Producer: Robert Appelblatt
Producer: Stefanie Bassett
3D/2D Animator/Compositor: Jean Marco Ruesta
Lead 3D Animator: Steve Burger
3D Character Animator: Carlos Sandoval
3D Animator: Andrew Cohen
3D Lighting: David Bernkopf
Animator: Frank Lee
Talent: Candice Jean-Jacques, Isaac Teel

Audio House: Audio Engine
Enginee: Tom Goldblatt
Enginee Assistant: David Wolfe

About SUSPECT:
NY-based Conceptual Design, Animation and Visual Effects studio, SUSPECT was co-founded in 2003 by CD/VFX Artist Tim Crean and Executive Producer Rob Appelblatt, and is a collective of designers, animators, 3D and VFX artists. SUSPECT has recently worked on major campaigns for PUMA, Fathead, Eucerin, Reebok, FedEx, MTV, L’Oreal, AT&T, Motorola, Miller Lite, Samsung, Visa, Sierra Mist and Christina Aguilera Fragrances. The studio has collaborated with leading agencies, including BBDO, Wieden+Kennedy, Y&R, McCann-Erickson, mcgarrybowen and SelectNY.sensibilities across a variety of mediums including: print, broadcast, TV, commercials, short films, music videos and interactive content.

Popularity: 19% [?]

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New York-based content creation studio HUSH has teamed up with advertising agency Momentum Worldwide on a lightning-fast live action, design and animation production. The effort is part of American Express’ new focused campaign showing on 20+ screens at the popular LA Live outdoor space adjacent to the Los Angeles Staples Center. Each of the six original pieces, bookended by the AMEX card graphic, show close-up live action shots framed as if from the perspective of a privileged fan. The pieces show basketball players, hockey players, and musicians suspended in time at the apex of their extraordinary performances.

“We wanted to really capture the feeling of front-row access that American Express customers are used to getting,” noted HUSH Co-Founder/Co-Director Erik Karasyk. “By zooming in tight and shooting our subjects at high speed with the Phantom HD camera, we created `frozen moments’ that capture the experience of being in the middle of the action.”

The close-up framing and beautifully simplified actions also served to save money and time, an important consideration on a deadline-intensive project. HUSH had only six weeks to take the entire campaign from concept to completion. To ensure its fluid execution, the team took control of every aspect of the production, from live action to editorial and VFX to finishing.

“Given the multifaceted nature of this effort, with its mix of live action and VFX, we are really proud of our team for pulling all of this together on such a short timeline,” said HUSH Co-Founder/Co-Director David Schwarz. “I think we achieved a nice balance between creative concept and production efficiencies. In order to stand out amid the frenzied 24-hour shuffle of rapidly moving imagery ripping across the 20+ media screens, I think our use of extreme slow motion will separate AMEX from the other sponsored media being showcased.”

For example, rather than recreating an entire sporting event or concert, HUSH put the spotlight on one or two characters, creating an abstract action scene that retained the intensity and power of an athlete or musician operating at full throttle. By corralling all of its creative resources, HUSH’s team was able to use its experience producing TV content to adapt a successful print campaign that Momentum Worldwide had already established.

“We worked closely with the creatives at Momentum to expand upon the great ideas they’d already used to make this a successful campaign,” stated HUSH Executive Producer Casey Steele. “We were able to create the style, flavor and feel of the content to mirror their existing campaign.”

About Hush:
HUSH is a New York-based content creation studio led by Co-Founders/Creative Directors Erik Karasyk, David Schwarz and Executive Producer Casey Steele. HUSH develops powerful brand-driven stories, award-winning design, animation, and interactive content for TV commercials, music videos, broadcast, and integrated campaigns. With over a decade of ideation and execution experience, HUSH pushes creative limits to build brand awareness and audience loyalty.

The Creds:

Client: American Express
Content Title(s): Rocker, Hockey, Hair, Diva, Basketball, Ticker
Launch Date: December 2008

Agency: Momentum Worldwide/NY
Creative(s): Benjamin Bailey, George Tannenbaum
Agency Producer: Karen Song

Production Company: HUSH/NY
Directors: David Schwarz, Erik Karasyk
DP: Zak Mulligan
EP: Casey Steele

Design Co: HUSH/NY
Lead 2D/3D Animation: Navid Bagherzadeh
3D Animators: TK Tanaponn / Brian Cobonpue
Designers: Fred Kim, David Schwarz
Live Action Producers: Submissive Films, Mario Romeo, Kenneth Greenblatt
Producer: Mei-Ling Wong

Editorial Co: HUSH/NY
Editor: Amilcar Gomes

Sound Design: Antfood
Composers: Wilson Brown / Polly Hall
Executive Producer: Sean McGovern

Popularity: 18% [?]

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An unstoppable force has travelled the Galaxy for millennia, consuming countless planets and civilisations. It’s next target is Earth – and you are the last line of defence! Freestyle Collective recently created a dramatic opening sequence for a new Cartoon Network online game. Fusion Fall is Cartoon Network’s first massive multiplayer online game. From futuristic skyscrapers to mystical ruins, enter an enormous, action-packed universe unlike anything you’ve seen. Mix it up with stars of Cartoon Network like Ben 10, and Billy and Mandy – but expect a surprise when you do!

The Freestyle Collective used a combination of Photoshop, Illustrator, Maya and Z Brush to create the Fusion Fall game open. The work was finished in Flame by Freestyle Collective sister visual effects company, Guava.

This open is Freestyle’s most artistically and technically complex work to date, and plunges the player directly into the centre of an epic battle between good and evil. A handheld-camera-feel gives the open drama, immediacy and a sweeping finish that introduces many of the game’s main characters.

To view the open visit: www.freestylecollective.com
To view the game visit: www.fusionfall.com

CREDITS
Client: Cartoon Network New Media
Production Company: Freestyle Collective
Creative Director: Victor Newman
Director: Nicholas Weigel
CG Director: Entae Kim
Storyboard Artist: Ben Chan
Matte Painters: Andres Rivera, Erik Fokkens, Sookyoung Choi
3D Animators: Nicholas Weigel, Entae Kim, Cedrick Gousse, Dylan Maxwell, Ian Brauner, Richardo Vicens, Stanislav Ilin, Jedidiah Mitchell, Christina Sidoti
3D Artists: Roger An, Russell Paul, Steven Kellam, Andres Rivera, Jim Collins, Patricia Heard-Greene, Steve Dahler, Zeth Willie, David Lobser
Lighting/Compositing: Joshua Harvey, Eric Concepcion, Ylli Orana
Flame Artist (Guava Visual Effects): Aaron Baxter
Executive Producer: Linda Powledge
Producer: Javier Gonzalez

About Freestyle Collective
Freestyle Collective is a collaborative design and production studio recognized for its distinctive artistic sensibility. Specializing in exploratory and innovative design, Freestyle Collective delivers creative advertising, and branding solutions to a broad range of commercial, broadcast and corporate clients.

Popularity: 37% [?]

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High-end conceptual director Joe Kosinski of Anonymous Content has once again helmed a monumental trailer for the second coming of Xbox 360’s blockbuster game Gears of War 2 via San Francisco-based T.A.G. Despite the violent world in which they live, the soldiers are humanized in this :60, titled Last Day, touching on the solitude in a complicated life of war. Before the soldiers embark on their inevitable fate, we see them in their most vulnerable states. One soldier stares down at a picture of his missing wife, while another takes a moment to admire the beauty of a sole flower in the battlefield.

With the entrancing backdrop of Devotchka’s How it Ends appropriately scoring the spot, we are engulfed by the power of the message.

Kosinski commented on the process, “Like Mad World, Last Day is an example of “machinima” — it was created entirely inside the Unreal Engine 3 game engine. The movement of the characters’ bodies and faces was done utilizing the latest generation motion/performance-capture technology at Giant Studios; the same system used in James Cameron’s upcoming feature film, Avatar.”

Kosinski continues “This system includes a physical camera that provided me with a real-time view of the virtual characters in their environment, making it feel more like a traditional live-action shoot than a virtual one. In addition, the system records the precise camera movement (operated by DP Claudio Miranda), allowing for a more natural filming style.”

About Anonymous Content:
Anonymous Content is an industry-leading production and management firm that leverages its unrivaled reach and access to talent to create and produce innovative content across all its divisions: Film, Integrated, Commercials, Music Video, Television, and Talent.

Anonymous Content was formed in 1999 by a collaboration of business and creative minds responsible for developing some of the industry’s most respected entertainment and branded content. In launching the firm, the founders combined their unique talents, distinct vision for the future of content creation, and unmatched industry access. Since then, Anonymous has been able to extend its reach across entertainment, exercising its capacity to package talent and mine literary material from deep and powerful resources.

CREDITS
Client: Xbox
Spots Title: Last Day
Air Date: Oct. 2008

Agency: T.A.G.
CD(s): Scott Duchon, Geoff Edwards, John Patroulis
AD: Ben Wolan
Writer: Rick Herrera
Sr. Producer: Vince Genovese

Prod Company: Anonymous Content
Director: Joseph Kosinski
EP: Jeff Baron
EP/Head of Commercials: Dave Morrison
Head of Production: Sue Ellen Clair
Producer: Julien Lemaitre
Editing Company: Digital Domain
Editor: Russ Glasgow
Assistant Editor: Chris House
Executive Producer: Karen Anderson
Post Producer: Melanie La Rue

Post/Effects: Digital Domain
VFX Supervisor: Vernon Wilbert
CG Supervisor: Peter Plevritis
VFX Producer: Melanie LaRue

Music: DeVotchKa
Artist: How It Ends

Audio Post: Lime Studios LA
Mixer: Rohan Young
Asst. Mixer: Joel Waters

Shoot Location: Los Angeles, CA

Popularity: 30% [?]

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Directed by J. J. Abrams, Star Trek is the eleventh Star Trek film and features the original main characters as they set out to become USS Enterprise crew members. These Star Trek early years are portrayed by a new cast and follow James T. Kirk as he enters the Starfleet Academy. The film stars Chris Pine as James T. Kirk who took inspiration to play the part from Harrison Ford and his portrayal of the characters Han Solo and Indiana Jones.

“Not to say that I modelled my version of James T. Kirk on anything in particular but I think I definitely have wanted to bring that kind of Harrison Ford humour to Kirk.” Pine has said.

Hero’s star Zachary Quinto plays a young Spock but the film will also feature Leonard Nimoy, the first actor to play the half vulcan character. Nimoy reprises his role to return as the ‘old Spock’ who comes back from the future, to give a helping hand to his friends.

Everyone’s favourite intergalactic Doctor: Dr. Leonard “Bones” McCoy, is portrayed by Keith Urban, best known for his role as a Rohan nobleman in the Lord of the Rings trilogy.

Urban has been a fan of Star Trek since he was seven years old and actively pursued the role of McCoy. Explaining his interpretation of Dr. McCoy, Keith Urban has stated “it is a case of not doing some sort of facsimile or carbon copy, but really taking the very essence of what DeForest [Kelley] has done and honouring that and bringing something new to the table”

Development of the film began in 2005 when Paramount Pictures contacted Abrams (director), Roberto Orci (writer) and Alex Kurtzman (writer) for ideas to revive the franchise. The team wanted to stay faithful to the Star Trek canon, but at the same time introduce new ideas to the storyline, and modernize the production design of the original show.

The film was primarily designed by Ryan Church and Star Trek veteran John Eaves. Production design was difficult as it had to be consistent with the television series but also feel more advanced than present real world technology.

“It’s how a family comes together. And then more specifically, the story of two brothers, Kirk and Spock. It’s the first time [co-writer] Alex [Kurtzman] and I got to really write about our friendship, in a way. So that was a big inspiration for us — the coming together of opposites in a partnership that takes you to places you can’t even believe.” Writer Roberto Orci on the film’s emotional context

Industrial Light & Magic is creating the visual effects for the new Star Trek film. Visual effects supervisors Roger Guyette and Sherri Hanson worked with Abrams on Mission: Impossible III. Abrams avoided using bluescreen and greenscreen as much as possible, and instead used special effects to extend the scale of sets and locations.

CREDITS
Director: JJ Abrams
Producers: J.J. Abrams, Damon Lindelof,
Executive Producers: Bryan Burk, Jeffrey Chernov
screenwriters: Roberto Orci, Alex Kurtzman
Cinematography: Daniel Mindel
music : Michael Giacchino
Editors: Mary Jo Markey, Maryann Brandon
Distribution: Paramount Pictures

CAST
Chris Pine : James T. Kirk
Zacahary Quinto : Spock
Karl Urban : Dr. McCoy
Simon Pegg : Scotty
Zoe Saldana : Uhura
John Cho : Hikaru Sulu
Anton Yelchin : Pavel Chekov
Eric Bana : Nero
Leonard Nimoy : Old Spock

Popularity: 21% [?]

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